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Arts students pose in front of a mural

Arts

Examining the role of The Arts as a catalyst for healing, transformation and action

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Introduction

The practice of Art—in its infinite forms, functions and implications—is the most accessible and universal way of constructing meaning out of the world we inhabit.

Our Philosophy: The Arts are not just for experts. They are not solely for the enjoyment of the elite. They are not a superfluous extravagance. The Arts are for us all, expert and novice alike. They are not just an end in and of themselves, but a means. They shape, and are shaped by the world we inhabit.  

Students in the Arts Scholars program gain a deeper understanding of the impact of art as a means to explore society and culture against the backdrop of our individual differences and shared experiences.  

What you can expect: No matter your major, area of artistic interest, or skill level, as a member of our community, you will be challenged to strengthen your personal artistic skill set, experiment with new and different art forms, and gain a deeper understanding of the value of the arts in our personal and collective lives. We will investigate the power of the arts to:

  • Communicate difficult concepts
  • Advocate for social change
  • Investigate the human experience
  • Explore our own identities
  • Develop our capacities as creative problem solvers and critical thinkers
  • Reinforce, but also upend existing systems of inequality and oppression
     

Colloquium and Lecture Topics

Through a mix of lectures, discussions, demonstrations, collaborative art-making and interactions with guest artists, students consider:

  • What is art? What is “good” art? Understanding social definitions of art and their influence on our beliefs of what should or should not be considered art.
  • What does research look like in The Arts? Exploring common methods of research aligned with professional artistic practice.
  • How have The Arts legitimated and perpetuated systems of inequality across race, socio-economic status, gender, etc.?  Conversely, how can we leverage The Arts to generate equity and belonging? How can The Arts reshape or recontextualize understanding of our (individual and societal) learned history, biases and beliefs?
  • West African djembe: Exploring the role of music in community building, storytelling and cultural understanding.

I have been challenged to think differently, work cooperatively, embrace creativity and, most importantly, go beyond the limits I have set for myself. Because of this program, I can confidently say I feel infinitely more prepared for the “real world,” and for that confidence and growth, I could never be more grateful.

Alexandra Curry
Alexandra Curry, '22

Other Learning Opportunities

A variety of learning opportunities supplements the Arts curriculum. As an Arts Scholar, you will be introduced to artists, professional ensembles and world-class institutions each semester, through workshops led by guest artists; attendance at live performances in Washington, DC, New York City and on campus; and visits to the Smithsonian's renowned art and history museums.

In addition, you will get a chance to:

  • Conceptualize, execute and present a capstone project of your choosing during your second year;
  • Participate in service-learning with local schools and arts nonprofit organizations; and
  • Cultivate valuable leadership and communication skills through peer mentoring and peer teaching opportunities.

Curriculum Overview

Over the two-year program experience (four semesters), students will complete up to 6 credits of supporting courses that will count toward your Arts Scholars citation. In most cases, these will also fulfill General Education requirements. Note that your Scholars courses—colloquiums, capstone practicum and supporting courses—will generally be in addition to any courses you take to satisfy major requirements.

The following represents a typical two-year curriculum, but individual schedules may vary. Details about courses and requirements can be found on the Arts Citation Checklist. 

SEMESTER COURSE CREDITS
Semester 1 CPSA 100: Colloquium I 1 credit
Semester 2 CPSA 101: Colloquium II 1 credit
Semester 3 CPSA 200: Colloquium III 1 credit
Semester 4 CPSA 201: Colloquium IV 1 credits
CPSA 240: Service Learning; or
CPSA 250: Research (DSSP); or
CPSA 260: Peer Teaching (DSSP)
2 credits
2 credits
2 credits
Semester 1, 2, 3, or 4 Supporting Course (var. Gen Ed)
Supporting Course (var. Gen Ed)
Supporting Course (DVUP or DVCC)
3 credits
3 credits
1-3 credits

Sponsoring College 

College of Arts and Humanities

Office Address

1110 Bel Air Hall

Office Phone

301-405-0522

Faculty

Portrait of Harold Burgess

Harold Burgess

Program Director, Arts
Portrait of Heather Bremenstuhl

Heather Bremenstuhl

Associate Director, Arts
Portrait of Irene Park

Irene Park

Graduate Assistant, Arts

Arts News

Showing 31 - 36 of 185
  • Researchers Solve Mystery of ‘Dinky’ Dinosaur’s Unusually Long Stride

    The tiny, two-toed fossil footprints made by an unidentified dinosaur species some 100 million years ago and preserved in a slab of rock in South Korea are thought to have been made by a raptor no bigger than a modern sparrow. What stumped paleontologists was the animal’s enormous stride; the unknown raptor’s footprints had larger gaps between them than expected for such a diminutive dinosaur.“This guy is dinky—one of the smallest dinosaurs that we have fossils of,” said University of Maryland paleontologist and Science and Global Change program director Thomas R. Holtz Jr.

  • How Stories Can Save the Planet: A Rhetorical Analysis

    Kate Quintana, an ETE Scholar published this insightful paper in the English department's InTERPolations publication. This is one of many examples of the excellent work our students are doing across the university.

  • Farm to Table, UMD Style

    Throughout the school year,Farm Manager Guy Kilpatric is the only staff member dedicated to Terp Farm full-time. He collaborates with CMREC staff led by Donald Murphy and relies on partnerships with volunteer groups that come each Saturday, such as the Alpha Phi Omega service fraternity, Terps for Change and College Park Scholars, including the Environment, Technology and Ecology program.

  • Uplifting Harriet Tubman’s Legacy with Do Good Campus Fund

    For a dozen College Park Scholars in the Media, Self and Society program, a three-day trip this fall will give them not only a chance to immerse themselves in the world of famed abolitionist Harriet Tubman, but also help bring that story to a wider audience. This trip project was one of 27 funded by the Do Good Campus Fund in its inaugural year—an example of the ways that UMD faculty, staff and students work to serve humanity and reimagine learning.

  • PL Alum's Company Recognized as one of the Best Women-Owned Businesses in Maryland

    Ali von Paris ('12), CEO and Founder of Route One Apparel, an online retailer specializing in Maryland pride apparel and accessories. was recently selected for a new recognition program by The Daily Record— In the Lead: Best Women-Owned Businesses in Maryland. The program recognizes accomplished companies owned by women that demonstrate excellence across a broad spectrum of criteria. Under the Public Leadership alum's guidance, Route One Apparel has secured licensing rights with major corporations like McCormick, Utz, Hershey, and Morton Salt.

  • Faculty and Staff Awards and Honors

    A. James Clark School of Engineering Senior Lecturers David Tomblin, director of College Park Scholars’ Science, Technology and Society program, and Nicole Mogul, assistant director of the program, were included in the latest edition of the Maryland Today's roundup of awards and honors for UMD faculty and staff members.

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